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January 21, 2026 (WORLDWIDE) — Jada Kingdom has never been interested in playing by anyone else’s rules. Today, she releases her most fearless and conversation-shifting project to date, Just A Girl In A Money Man’s World, out now independently via her imprint Kingdom Mab. Get it HERE today.
The EP captures a woman who understands the systems around her, money, desire, power, and chooses to move through them on her own terms. Rather than rejecting or romanticizing those dynamics, Jada studies them, challenges them, and bends them in her favor. Rooted in Caribbean storytelling and informed by global sound and culture, the project positions her not simply as a participant in the conversation, but as a force actively shaping it.
Across six tracks, Just A Girl In A Money Man’s World traces an evolution from awareness to agency, using musical history as conversation rather than nostalgia. The EP opens with “Still Searching,” a reflective reinterpretation of a 2001 Damian Marley classic that signals discernment and preparation. That perspective is flipped into control on “Maxine,” inspired by Chaka Demus & Pliers’ 1992 staple “Murder She Wrote,” one of dancehall’s most enduring records. The clarity hardens into boundaries on “Don’t Talk To Me,” built around a I Just Wanna Love U (Give It 2 Me) sample by The Neptunes and Jay-Z and produced by Di Genius, where confidence without substance is dismissed outright.
Jada then disarms entitlement with humor and pop forward ease on “NTN But PumPum,” a synth pop moment born from a viral livestream exchange that underscores her ability to balance wit, control, and accessibility without dilution. The emotional stakes deepen on “Soul For Sale,” the project’s darkest turn. Stripping away playfulness in favor of tension and emotional exposure, the song leans into a moody, emo-tinged dancehall sound, affirming that vulnerability here is chosen, not imposed.
The EP closes with “G.A.D,” the widely discussed title track in which Jada coins the phrase Just A Girl In A Money Man’s World and names the environment she has mastered rather than escaped. The song has emerged as a defining moment in her catalog, earning widespread critical and cultural recognition. Billboard praised “G.A.D” for its sharp fusion of dancehall and alternative pop, highlighting Jada’s ability to flip local slang and gendered narratives into a feminist assertion of autonomy, confidence, and control. Stereogum highlighted the track’s early 2000s pop revival, pointing to its bold digital guitar line and Y2K era sensibility as a knowing reference that feels both raw and forward looking.
That critical reception has been matched by real world impact. “G.A.D” peaked at number two on Apple Music’s Top 25 Kingston Chart, becoming the highest charting song by a female artist at the time, and earned Top 5 Shazam placements in multiple countries, reflecting its widespread appeal and global resonance. In Jamaica, Jamaica Gleaner ranked the track number five on its list of the Top Dancehall Songs of 2025, cementing its place within the contemporary dancehall canon.
Momentum around the project has continued to build internationally. Clash Magazine noted Jada Kingdom’s run of standout singles throughout 2025 and a viral On The Radar performance that broke the internet, positioning her as one of the Caribbean’s most compelling and forward moving voices.
Sonically fluid, moving between dancehall, synth pop, and darker emotive production, the EP closes with intention rather than resolution. Just A Girl In A Money Man’s World does not seek approval or offer conclusions. It stands as a clear eyed portrait of power, pleasure, and self possession authored entirely by Jada Kingdom.
JUST A GIRL IN A MONEY MAN’s WORLD TRACKLIST
1. Still Searching prod. Di Genius
2. Maxine prod. Di Genius
3. Don't Talk To Me prod. Di Genius
4. Ntn But Pumpum prod. Di Genius
5. Soul For Soul prod. Yo Christon
6. G.A.D prod. Yo Christon
ABOUT JADA KINGDOM
Jada Kingdom is a critically acclaimed Jamaican recording artist carving out a sound that feels both global and entirely her own. Shaped by the artists she grew up listening to and coming of age in the early 2000s with unlimited access to music from around the world, Jada draws inspiration across eras, cultures, and genres. Her music lives at the intersection of Dancehall, Pop, and R&B, while weaving in elements of Jazz, Trap, Reggae, and more, resulting in a genre-fluid style that resists easy categorization.
Rather than fitting neatly into a single lane, Jada is actively building something new. Her music reflects both her Jamaican roots and her global outlook, striking a balance between innovation and connection. She releases records that speak to different moods and moments, from songs meant to be felt quietly, to high-energy tracks charged with attitude, to records designed to move crowds at Kingston’s most vibrant street parties. This versatility has allowed her to resonate both locally and internationally, even as she continues to challenge traditional expectations of what a Jamaican artist should sound like.
Born and raised in the colorful yet challenging neighborhood of 7 Mile Bull Bay (Gold Shore Lane) on the east side of Kingston, Jamaica, Jada’s early life was shaped by resilience. Growing up in a modest two-bedroom home with her mother and two siblings, she found comfort in family despite the obstacles around her. By the age of eight, Jada had already begun writing poetry, revealing an early depth of creativity that would later define her artistry. Influenced by legends such as Nina Simone, Diana King, Sade, Minnie Riperton, and Amy Winehouse, she absorbed the emotion, storytelling, and musicality that continue to inform her sound today.
In 2017, Jada made her official debut with the single “Love Situations,” but it was the breakout hit “Banana” that propelled her onto the international stage, amassing over 6 million Spotify streams and 4 million YouTube views. She went on to release two standout projects, E-Syde Queen (The Twinkle Playlist) #Snacksize (2020) and New Motion (2022), both showcasing her evolving sound and fearless approach to genre.
Now entering her next chapter, Jada Kingdom is preparing to release her highly anticipated EP, Just A Girl In A Money Man’s World, a project poised to impact not only the global musical landscape but broader cultural conversations as well. Through sharp observation, witty sarcasm, and fearless honesty Jada speaks directly to the realities women are subjected to in a so-called “man’s world,” confronting double standards and unfair expectations with confidence and clarity. These songs are built to stand as anthems, unapologetic declarations of self-worth and power that invite listeners to reclaim their voice, challenge the status quo, and move through the world on their own terms.
Today, Jada Kingdom stands at the forefront of global music. She has accumulated over 150 million streams on Spotify, 100 million streams on Apple Music, and more than 200 million views on YouTube, a testament to her magnetic presence and undeniable star power. Her collaborations with artists such as John Legend, Popcaan, Vybz Kartel, Davido, Skillibeng, and Aluna further underscore her global reach. Celebrated by publications including The FADER, Rolling Stone, Teen Vogue, and Billboard, Jada Kingdom is not simply making music. She is shaping culture, redefining boundaries, and building a legacy on her own terms.
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